#fc: miriam spumpkin

[simplegenius042]

Music Wednesday, Last Line/s & Understand My Group/Found Family In 5 Minutes Meme

Tagged by @cassietrn @noodlecupcakes and @imogenkol

Tagging @socially-awkward-skeleton @aceghosts @direwombat @voidika @la-grosse-patate @inafieldofdaisies @adelaidedrubman @shellibisshe @josephseedismyfather @icecutioner @derelictheretic @shallow-gravy @strangefable @statichvm @josephslittledeputy @cloudofbutterflies92 @skoll-sun-eater @carlosoliveiraa @g0dspeeed @wrathfulrook @afarcryfrommymain @strafethesesinners @turbo-virgins @raresvtm @softtidesworld @starsandskies @ladyoriza @florbelles @minilev @yokobai @thewanderer-000 @omen-speaker @justasmolbard and @alypink + anyone who'd like to join.

Music for The UnTitledverse, Last Line's for three A Radioactive Calamity Of Love, Bombs & Gore WIPs and lastly an "Understand My Group" Meme for characters in my Wings And Horns WIP. You can listen, read and use the template of the meme that is under the cut:

More about the Walking Fate series. This series somewhat sticks to the compliance of canon, but there are times where it diverges. Mostly in regards to characters and their arcs and survival (or death), plus some plot elements being replaced/repurposed. There's about five planned "seasons", with four of them taking the canon compliance route while the fifth is an original plot. I'm also treating Walkers with more respect; they're pretty much a death sentence if anyone is unprepared for them, or god forbid, come across a Herd. Malcrum and Clementine's relationship is in no means meant to impede on the canon relationships she forms and that impact her, it is meant to be an additional and interesting idea to explore her character, especially with the inherent tragedy that ties them together and how it affects her character going forward (as well as my first time writing a relationship like this type in The UnTitledverse, which compared to its predecessors, is a story that doesn't resolve the tragedy with reconciliation between Malcrum and Clementine, emphasising the bitter nature of this bittersweet series). The tragic turn this relationship is of neither parties fault; it was simply bad luck. Malcrum, while separated from Clem and the group, happened to be at the wrong place, at the wrong time, picking up the wrong object, where his mind would (mostly) be fried and lose his agency/autonomy. Forced to watch a shell of himself harm, and at times, kill those he had come to care for or would have never wanted to do so to in the first place. The only person truly at fault here is not even in the series; that being Edward Carmine, for creating a device that probably violates more than what OSHA is concerned about. The series follows a theme of the power of resilience. Persisting in spite of the odds. Succeeding against adversity. Going to great lengths and trials to not only survive, but find a place to live. Which is why I chose this song for this series:

"I am flesh and I am bone Rise up, ting-ting, like glitter and gold I've got fire in my soul Rise up, ting-ting, like glitter Yeah, yeah, yeah-yeah-yeah-yeah Like glitter and gold Yeah, yeah, yeah-yeah-yeah-yeah Like glitter

Do you walk in the valley of kings? Do you walk in the shadow of men Who sold their lives for a dream? Do you ponder the manner of things In the dark? The dark, the dark, the dark

I am flesh and I am bone I'll rise, ting-ting, like glitter and gold I've got fire in my soul Rise up, ting-ting, like glitter Yeah, yeah, yeah-yeah-yeah-yeah Like glitter and gold Yeah, yeah, yeah-yeah-yeah-yeah Like glitter

Do you walk in the meadow of spring? Do you talk to the animals? Do you hold their lives from a string? Do you ponder the manner of things In the dark? The dark, the dark, the dark

I am flesh and I am bone I'll rise, ting-ting, like glitter and gold I've got fire in my soul Rise up, ting-ting, like glitter I am flesh and I am bone I'll rise, ting-ting, like glitter and gold I've got fire in my soul Rise up, ting-ting, like glitter

'Cause everybody in the backroom's spinnin' out Don't remember what you're asking for And everybody in the front room's trippin' out You left your bottle at the door

'Cause everybody in the backroom's spinnin' out Don't remember what you're asking for And everybody in the front room's trippin' out You left your bottle at the door

I am flesh and I am bone I'll rise, ting-ting, like glitter and gold I've got fire in my soul Rise up, ting-ting, like glitter Yeah, yeah, yeah-yeah-yeah-yeah Like glitter and gold Yeah, yeah, yeah-yeah-yeah-yeah Like glitter Yeah, yeah, yeah-yeah-yeah-yeah Like glitter and gold Yeah, yeah, yeah-yeah-yeah-yeah Like glitter."

Here are Last Line/s for three WIPs from my Fallout series A Radioactive Calamity Of Love, Bombs & Gore. Each are labelled down below:

THE WATERS OF LIFE FLOW (FALLOUT 3)

His red lenses constricted as he focused on the super mutants patrolling the fortress. If the Vault-Tec data was to be considered correct, Vault 87 was in the heart of the lions den. Ore stood up, huffing out his breathing valve as his knees made a sickening creak. He stretched in preparation for his one-man assault, outstretching a palm to feel the nuclear residue of radiation through his palms.

He hummed in satisfaction as he felt the fatigue drift away from the exposure, far more alert and energized. Flame started to spark in his palms, summoning his fire so he may weld it into a more effective weapon against the FEV rejects he would - what was the word Ress used? "Pulverize"? Yeah, that's it - would enjoy pulverizing to cinders.

THE HOUSE ON TOP (FALLOUT: NEW VEGAS)

Her gaze shifted to the only man who was distinct compared to the group he lead. His ugly checkered suit hurt her retinas, just as his smug confidence enraged her. She wanted to break it, but Ryder settled with giving the man a silent glare as she continued to dig her own grave with bound hands.

WHAT HAPPENED TO VAULT NUMBER 76? (FALLOUT 76)

In spite of being enamored by the surge of energy that intoxicated his senses, the Matthias did share his own agreement with his venn's grim words; something changed in this world. A defilement to its nature, though healing from wounds that occurred long since they both last visited, can still be felt in the present. The drunken haze of atomic residue which threatened to become absorbed in Talos' material body was all he needed to know that an unnatural shift took place.

He glanced to his fellow traveler, his closest venn, and noticed a spark in the crevices of his eyes; blazing rings that looped around their orbs with a fury he had not seen in the Arcane Urias since his only loss to a fellow venn a decamillennium ago. Talos could tell Urias held an unsatisfied opinion on this unexpected change, but his offense to it was interfering with the focus he needed kept on his disguise. Talos would have to interfere, less they be found out as inhuman.

Not that there would be any significant consequence a humanite could inflict upon them should they be found out. Fragility was merely a concept to the Matthias and the Arcane, unburdened by the weakness that haunted the "dominant" species of this world.

And lastly a meme for the four main characters of my Wings And Horns WIP. Now to explain, they aren't technically a found family/group (at least, not when the pairs are together), they just happen to run in to each other so many times. Metatron and Azriel are partnered up to work together to preserve the Soulmate System, with Azriel supposed to be nothing more than a cadet aiding the Archangel, while with Xiang and Jezebel, Xiang is a demon from the Sloth Ring of Hell, who had adopted Jezebel, whose a Sinner's Soul of a damned girl (for unjustified reasons no less). These two pairs are in fact rivals in their opposing missions to protect and break the Soulmate System respectively.

[Image Reference Credits: Art of Archangel Metatron that I found posted on Quora and Kagetane Hiruko from Black Bullet]

Here's a blank template below: